
2017
Distinguished baritone Peter Coleman-Wright steps off the world’s opera stages to present a rare recording of music close to his heart: the remarkable songs written as the Weimar Republic descended into Nazism in the 1920 and ‘30s, by composers at home in Germany and Austria who were then forced to flee into exile. These songs capture the spirit of the times: defiant, soulful and searching, but also capable of moments of exuberant joy and hope. Peter Coleman-Wright is regarded as one of the world’s leading baritones, with a stellar career in the world’s leading concert halls including Royal Opera House, Covent Garden, the Met in New York and the Sydney Opera House; he finds the perfect foil for this music in the Sydney-based Nexas Quartet. The arrangements of these songs for baritone and saxophone quartet, created especially for this album, reflect a combination that would have been familiar to the clubs and bars where much of this music was first performed.

2019
Rosary is a selection of music with saxophones written by Christoph Enzel. It includes the ''Rosary Soundscapes'' for choir, organ and saxophone quartet, which is based on the amazing music of Ignaz Franz Biber as well as solo and duo compositions for saxophones. Performers include world class saxophonists from the Netherlands, Australia and Germany and ''Consenus Vocalis'' choir conducted by Klaas Stok. The

For decades saxophonists have sought to explore the multitude of Latin American musical traditions, with a particular fondness for the Argentinian Tango. The poetic nature of this music, its rhythmic drive and melancholic melody are a perfect fit for the flexibility and lyricism of the saxophone. The saxophone quartet is a powerhouse of a medium with its ability to bring individual characters into a homogeneous ensemble akin to an orchestra while still reflecting the unique voices within it. This makes it the ideal ensemble for such nostalgic and impassioned music.